Musical Fractal Table

Relating Pitch to Rhythm.

note	Interval	harmonic #	Ratio	Octave 1	Octave 2
C	unison	1	1:1	32	64
C#/Db	min 2nd	17	17:16	34	68
D	maj 2nd	9	9:8	36	72
D#/Eb	min 3rd	19	19:16	38	76
E	maj 3rd	5	5:4	40	80
F	perfect 4th	43	43:32	43	86
F#/Gb	aug 4th/ dim 5th	45	45:32	45	90
G	perfect 5th	3	3:2	48	96
G#/Ab	min 6th	51	51:32	51	102
A	maj 6th	27	27:16	54	108
A#/Bb	min 7th	57	57:32	57	114
B	maj 7th	15	15:8	60	120

Adan Neely‘s table of musical fractal equivalence.

The ratio is for the number of midi clips used to the number of midi clips that determine the duration. 57:32 means 57 midi clips condensed into the space of 32 midi clips.

Accelerate to 4096x to achieve fractal harmony.

Universal Vibration

“One of the really important things about modal music is that you have a set of frequency relationships that are repeated over and over, and because of the emphasis on intonation in Indian Classical music this set of frequency relationships is very much in exactly the same place so that each frequency comes right back at the same place. This sets up a series of patterns in the mechanism of the nervous system of the listener so that a psychological state is created. If you believe that the Universe is composed of vibrations then you can understand how a study of sound– which is the most concrete form of vibrations that the human mechanism can immediately assimilate–can be an introduction to the understanding of universal structure.”

La Monte Young